VISITORS FROM 17 STATES AND CANADA
HEADED TO SPOKANE FOR THE PHANTOM OF THE OPERA ENGAGEMENT
OCTOBER 8-25 AT THE INB PERFORMING ARTS CENTER
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THE LONGEST RUNNING SHOW IN  BROADWAY HISTORY!
ANDREW LLOYD WEBBER’S INTERNATIONAL AWARD-WINNING MUSICAL THE PHANTOM OF THE OPERA
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WESTCOAST ENTERTAINMENT ANNOUNCES
2008-09 BEST OF BROADWAY SERIES
to include
THREE WEEK ENGAGEMENT OF
THE PHANTOM OF THE OPERA
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Behind the scenes with Spotlight Operators

The work of a good spotlight operator is rarely noticed, because it is smooth, precise, and accurate. A spotlight operator hits the ‘mark’ or target, so that the audience knows where the focus of the scene is. Spotlights point out the ‘talent’ or the principle person that the director wants you want to see. A spotlight can highlight the action or simply brighten the facial features of an actor on a dark stage. You would miss the Sugar Plum Fairy if you couldn’t see her. Can you imagine Cher and no spotlights?

The first time you noticed a spotlight on stage it was probably unexpected. Something magical was happening. From a completely dark stage, a dancer appears from seemingly out of nowhere. You see the dancer because a spotlight led your eyes to that place, at that moment. Spotlights were telling you where to look.

   

The first time you noticed a spotlight on stage it was probably unexpected. Something magical was happening.


The oldest spotlights had two carbon rods, much like a welder would use, burning together to make a flame that reflected off of a curved mirror to throw light onstage. A skilled spotlight operator had to be able to adjust the carbons to maintain an even light on stage, as well as following the directions of the lighting director. Modern spotlights have eliminated the need for carbons with more efficient halogen lamps.

Spotlight operators wear headsets and receive cues from the stage manager or lighting director during the performance. The spot operator must change colors, adjust the size of their light and regulate its’ brightness based on those cues. The Spot Operator must capture every moment. They must follow the action on stage and the directions he or she is receiving over the headset.

 

 

 

 

 

     
   
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The 2008-09 Best of Broadway Season would not be possible without their dedication.
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The INB Performing Arts Center, formerly known as the Spokane Opera House.
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